ENGLISH 365:

19th-Century British Poetry and Prose

SPRING 2004


Stephen C. Behrendt
319 Andrews
phone: 472-1806
office: 1230-130 TR and by appointment

Email Stephen Behrendt

Joy M. Currie
331 Andrews
phone: 472-1805
office: 1030-1130 MWF

 

TEXT: The Longman Anthology of British Literature,
                      Second Edition, Vols. 2A and 2B

 

 

REQUIRED READING ASSIGNMENTS


Beginning page numbers for each selection are indicated in parentheses. Unless otherwise indicated, you are to read the entire selection, as well as all introductions to the authors. Many of these are excerpts rather than complete works; in these cases you should read all of the excerpt provided in the anthology.


Tentative Schedule of Required Readings and Activities

* = turn in reading notes in class on these days

Jan 13 T:   Introduction to the period, the culture, and the expectations for this course
                                
Here is a link to a wonderful website on the history of Britain during the age of George III (1760-1820).

Jan 15 R:   The Earlier Romantics, 1: Robinson and Wordsworth

"The Romantics and their Contemporaries" (3)
Mary Robinson: "January, 1795" (216), "The Camp" (220), "London's Summer Morning" (222), "The Haunted Beach" (221), "The Old Beggar" (223); Robinson's Letter the the Women of England, on the Injustice of Mental Subordination
William Wordsworth: Lyrical Ballads (337), "Simon Lee" (338), "We Are Seven" (341), "Lines Written in Early Spring" (342), "The Thorn" (343), "Note to The Thorn" (348), "Expostulation and Reply" (350), "The Tables Turned" (350), "Lines Written a Few Miles above Tintern Abbey" (352), "Preface to Lyrical Ballads" (356)

          For an excellent, interactive full text of all editions of Lyricals Ballads, with comments and apparatus, click here.
          Here are some modern views of the ruins of Tintern Abbey.
          And here is a hypertext biography of William Wordsworth.

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Jan 20 T:  The Earlier Romantics, 2: Charlotte Smith, William Wordsworth and Dorothy Wordsworth

Charlotte Smith: "To Melancholy" (50), "Written in the Church Yard at Middleton in Sussex" (51), "On being cautioned against walking on a headland overlooking the sea" (52), "On the Departure of the Nightingale"
          Here are some additonal on-line poems by Charlotte Smith
          And here is a link to the full text of her Elegiac Sonnets, 7th edition, from a copy at UNL
Anne Hunter: "To The Nightingale," "A Ballad of the Eighteenth Century"

          Here is the full text of Hunter's Poems (1802)
William Wordsworth: "The world is too much with us" (386), "Composed upon Westminster Bridge, Sept. 3, 1802" (386), "London, 1802" (387), "I Wandered Lonely as a Cloud" (453), "Ode: Intimations of Immortality" (454)
Dorothy Wordsworth: "Address to a Child" (469), "The Grasmere Journals" (478)
Here is a link to views of Dove Cottage, the home of William and Dorothy Wordsworth for many years.

Jan 22 R:  The Earlier Romantics, 3: Coleridge

Samuel Taylor Coleridge: "Sonnet to the River Otter" (522), "The Eolian Harp" (522), "This Lime-Tree Bower My Prison" (524), "Kubla Khan" (545)
          Want to know what kind of tree Coleridge meant by a "lime-tree"? Click here.

Jan 23 F:    Last day to withdraw from this course without a "W" on your permanent record
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Jan 27 T:  Coleridge, concluded

Samuel Taylor Coleridge: "The Rime of the Ancyent Marinere, Part 1" (526), "The Rime of the Ancient Mariner"[1817] (528)
          Here is a digital copy of a wonderful 1858 illustrated edition of The Rime of the Ancient Mariner (without the marginal glosses).
Mary Robinson: "To the Poet Coleridge" (225)

Jan 29R:  A day for catching up
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Feb  3 T:  Byron

George Gordon, Lord Byron: Don Juan, Dedication (668), Canto 1 (672) and excerpt from Canto 2 (717)
          For the full text of Don Juan, click here.

Feb  5 R:  Byron, continued

George Gordon, Lord Byron: "Stanzas" ("When a man..."; 745), "On This Day I Complete My Thirty-Sixth Year" (746)

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*   10 T:  The Younger Romantics, 1: Poetry, Politics, and Social Responsibility

Percy Bysshe Shelley: "To Wordsworth" (754), "Mont Blanc" (754), "Hymn to Intellectual Beauty" (758), "Ozymandias" (760), "England in 1819" (761),"To a Sky-Lark" (773)

Feb 12 R:  The Younger Romantics, 2

Percy Bysshe Shelley: "Ode to the West Wind" (771), selection from A Defence of Poetry (800)
          For the full text of A Defence of Poetry, click here.

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Feb 17 T:   The Younger Romantics, 3 Shelley and Keats

John Keats: "On First Looking into Chapman's Homer" (854), "On sitting down to reading Lear once again" (864), "Sonnet: When I have fears" (865), "The Eve of St. Agnes" (865)


Feb 19 R:  Keats

John Keats: "Ode to a Nightingale" (879), "Ode on a Grecian Urn" (882), "To Autumn" (886)
          Want to hear a nightingale? Click here.
          This link contains audio clips of four different readings of "To Autumn." The clips are at the bottom of the page.
          And here are images of some of Keats' manuscripts.

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Feb 24 T:  Directions of later Romanticism: Hemans

Felicia Hemans: "The Wife of Asdrubal" (812), "Evening Prayer, at a Girls' School" (818), "Casabianca" (819), Records of Woman (820), "The Bride of the Greek Isle" (820), "Properzia Rossi" (825), "The Homes of England" (833), "The Graves of a Household" (834)
Here is an 1863 illustration for Hemans' "Evening Prayer at a Girls' School"

For the full text of Hemans' Records of Woman (1828), click here.

Feb 26 R:   Midterm Examination
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Mar  2 T:  Introduction to the Victorian Period

"The Victorian Age" (1008)
Here is a link to a website called "The Peel Web," which covers Britain's history during Sir Robert Peel's major years, 1830-1850.
For a very large collection of images of Queen Victoria and her family members, click here.
And for even more fun, here is a link to The Victorian Dictionary, which has links to all aspects of British life during the Victorian era.

Mar  4 R:  The Victorians and Work

Thomas Carlyle: Past and Present (1035; all selections);
           Another Carlyle web portal is here.
           For the complete text of Past and Present, click here.
           And here are some critical comments on Past and Present.
Parliamentary Papers: (1053; both selections)
Charles Dickens: from Hard Times: [Coketown] (1057)
           For the complete text of Dickens' Hard Times, click here.
Friedrich Engels: from The Condition of the Working Class in England in 1844 (1060); review of Carlyle's Past and Present
           For the complete text of The Condition of the Working Class in England in 1844, click here.
The Penny Magazine: a weekly magazine (1832-35) aimed at the working class

Mar 5 F:   Last day to change your grade status to or from "Pass / No Pass" for this course
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Mar 9 T:  The Victorian Individual, and the ordinary lives of the Victorians

John Stuart Mill: On Liberty (1075; both selections); The Subjection of Women (1086)
          For the full text of On Liberty, click here.
          For the full text of The Subjection of Women, click here.
Charles Darwin: The Descent of Man, Chapter 21: "General Summary and Conclusion" (1259) 
          For the full text of The Descent of Man, click here.

*  11 R:  19th-century British visual art
                     
 Here is a link to the Tate Gallery collections, the premier collection of British art.
                                 For a gateway portal to the arts during the Romantic era, click here.

                                 For a gateway portal to the arts during the Victorian era, click here.
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March 14 -21: Spring Break - No Classes
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Mar 23 T:   Charles Dickens and Victorian Fiction

Charles Dickens: A Christmas Carol (1357)
          Here are some study materials and links for a Christmas Carol.

Mar 25 R:  A Christmas Carol, continued; see also "Dickens and Christmas"
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Mar 30 T:  Victorian Poetry, 1: Tennyson

Alfred, Lord Tennyson: "Mariana" (1139), "The Lady of Shalott" (1141), "Ulysses" (1150), "Tithonus" (1152), "Break, Break, Break" (1153), "The Charge of the Light Brigade" (1195), "Crossing the Bar" (1229)

Apr   1 R:  Tennyson, continued

Alfred, Lord Tennyson: selections from In Memoriam, A. H. H. (1165: specific sections will be assigned in class)
          For the full text of In Memoriam, click here.

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Apr   6 T:  Victorian Poetry, 2: Robert Browning

Robert Browning: "Soliloquy of the Spanish Cloister" (1309), "My Last Duchess" (1311), "Home-Thoughts, from Abroad" (1314), "The Bishop Orders His Tomb at Saint Praxed's Church" (1315), "Love Among the Ruins" (1321), "Fra Lippo Lippi" (1328)

Apr  8 R:  Victorian Poetry, 3: Elizabeth Barrett Browning

Elizabeth Barrett Browning: Sonnets from the Portuguese (1108; all selections), Prologue to "A Curse for a Nation" (1133), "A Musical Instrument" (1135), "The Best Thing in the World" (1136)
          For a full text of Sonnets from the Portuguese, click here.

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Apr 13 T:  A day for catching up

Apr 15 R:  The Victorian social context: read anthology selections as follows:

Frances Power Cobbe (1517), Sarah Stickney Ellis (1521), Caroline Norton (1528), Thomas Hughes (1536), Isabella Beeton (1538), Queen Victoria (1540)
Godey's Lady's Book: the most famous Victorian women's magazine

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*   20 T:   Aesthetes, Decadents, and the closing of the Victorian era

"Aesthetes, Decadence, and the Fin de Siècle" (1939)
James McNeill Whistler: from "Mr. Whistler's ‘Ten O'Clock'" (1945)
          Here is the full text of "Mr Whistler's 'Ten O'Clock'."
Algernon Charles Swinburne: "The Leper" (1652), "Hymn to Proserpine" (1658), "A Forsaken Garden" (1661)

Apr 22 R:  Aesthetes and Decadents, 2

Walter Pater: The Renaissance, Preface (1665) and Conclusion (1669).
           For the full text of The Renaissance, click here
Oscar Wilde: "Impression du Matin" (1862), "The Harlot's House" (1863), "Symphony in Yellow" (1864), selection from The Decay of Lying (1864), Preface to The Picture of Dorian Gray (1883)
           For the full text of The Decay of Lying, click here.
           For the full text of The Picture of Dorian Gray, click here.

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Apr 27 T:  A week of review, reconsideration, some tentative conclusions, and a look ahead
                 Course Portfolio due IN CLASS today

Apr  29 R:  Discussion concludes, as does the course
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Final Examination:   1:00 - 3:00 Wednesday, 5May