Books

Refractions. Spokane: Shechem Press, 2014.

British Women Poets and the Romantic Writing Community. Baltimore/London:  The Johns Hopkins University Press, 2009.

History. Minneapolis: Mid-List Press, 2005. (poetry)

Romanticism and Women Poets: Opening the Doors of Reception. Ed. Harriet Kramer Linkin and Stephen C. Behrendt. Lexington: University Press of Kentucky, 1999.

Royal Mourning and Regency Culture: Elegies and Memorials of Princess Charlotte. London/New York: Macmillan/St. Martin's, 1997.

Romanticism, Radicalism, and the Press. Ed. Stephen C. Behrendt. Detroit: Wayne State University Press, 1997.

Approaches to Teaching British Womem Poets of the Romantic Period. Co-Edited with Harriet Kramer Linkin. New York: MLA, 1997.

A Step in the Dark. Minneapolis: Mid-List Press, 1996. (poetry)

Reading William Blake. London/New York: Macmillan/St. Martin's, 1992.

Instruments of the Bones. Minneapolis: Mid-List Press, 1992. (poetry)

Approaches to Teaching Shelley's Frankenstein. Ed. Stephen C. Behrendt. New York: MLA, 1990.

History and Myth: Essays on English Romantic Literature. Ed. Stephen C. Behrendt. Detroit: Wayne State University Press, 1990.

Shelley and His Audiences. Lincoln: University of Nebraska Press, 1989.

The Moment of Explosion: Blake and the Illustration of Milton. Lincoln: University of Nebraska Press, 1983.

Editions

Percy Bysshe Shelley’s Poetry and Prose. Ed. Stephen C. Behrendt. Longman Cultural Edition. New York: Longman, 2009.

Percy Bysshe Shelley, Zastrozzi and St. Irvyne. Ed. Stephen C. Behrendt. Calgary: Broadview Press, 2002.

Electronic Editions

Irish Women Poets of the Romantic Period. Ed. Stephen C. Behrendt. Alexandria , VA: Alexander Street P, 2008.

Scottish Women Poets of the Romantic Period. Ed. Stephen C. Behrendt and Nancy J. Kushigian. Alexandria, VA: Alexander Street P, 2002.

Richard Brinsley Peake, Presumption; or, The Fate of Frankenstein (1823). An electronic edition with scholarly critical apparatus. Romantic Circles, 2001.

Anna Maria Smallpiece. Original Sonnets and Other Small Poems (1805). An electronic edition, 2002.

Selected Recent Articles and Chapters

"The Relevance and Resiliency of the Humanities," Profession. New York: MLA, 8 December 2017. (https://profession.mla.hcommons.org/2017/12/08/the-relevance-and-resiliency-of-the-humanities/).

"Romantic-Era British Women Writers and the Refashioning of Rousseau." Jean-Jacques Rousseau and British Romanticism: Gender and Selfhood, Politics and Nation. Eds. Russell Goulbourne and David Higgins. London: Bloomsbury Academic, 2017. 11-32.

“Orsamus Charles Dake:  Nebraska’s First Published Poet.”  Great Plains Quarterly 37.1 (Winter 2017):15-36.

“A Novel Approach to Teaching a Long Poem:  Ellen Fitzarthur.” Pedagogy 16.2 (April 2016):308-14.

“‘There is no second crop of summer flowers’: Melesina Trench and Mary Leadbeater in Correspondence.” Forum for Modern Language Studies 52.2 (April 2016):130-43. Special issue: “Co-Constructed Selves:  Nineteenth-Century Collaborative Life Writing.” Ed. Lynn Linder.

“Shelley’s Narrative Fiction Fragments.” The Neglected Shelley, edited by Alan Weinberg and Timothy Webb. Farnham: Ashgate, 2015. 95-115.

“One Man’s Dust Bowl: Recounting 1936 with Don Hartwell, Inavale, Neb.” Great Plains Quarterly 35.3 (Summer 2015): 229-47.

“Poetry.” The Cambridge Companion to Women’s Writing in the Romantic Period. Ed. Devoney Looser. Cambridge: Cambridge UP, 2015. 1-15.

“Wordsworth and Nation.” The Oxford Handbook of William Wordsworth. Ed. Richard Gravil and Daniel Robinson. Oxford UP, 2015. 662-78.

“One Man’s Dust Bowl: Recounting 1936 with Don Hartwell, Inavale, Neb.” Great Plains Quarterly 35.3 (Summer 2015): 229-47.

“Barbara Hofland and Romantic-Era Provincial Poetry by Women.” Women’s Writing (October 2013): 1-20.

“Shelley and His Publishers.” The Oxford Handbook of Percy Bysshe Shelley. ed. Michael O'Neill and Anthony Howe. Oxford:  Oxford UP, 2013. 83-97.

“William Wordsworth and Women Poets.” European Romantic Review 23 (December 2012): 635-50.

“The Romantics and Media,” Romantic Explorations: Selected Papers from the Koblenz Conference of the German Society for English Romanticism. Ed. Michael Meyer. Trier: Wissenchaftlicher Verlag Trier, 2011. 7-21.

“Placing ‘Irish’ and ‘Romanticism’ in the Same Frame: Prospects.” Ireland and Romanticism: Publics, Nations and Scenes of Cultural Production Ed. Jim Kelly. Houndsmills: Palgrave Macmillan, 2011. 207-20.

“‘A Defect in their Education’: Blake, Haydon, and the Misguided British Audience.” The Keats-Shelley Review 24 (2010): 53-65.

“Publishing and the Provinces in Romantic-Era Britain,” The Cambridge Companion to British Romanticism. 2nd ed. Ed. Stuart Curran. Cambridge: Cambridge UP, 2010. 153-68.

“Influence, Anxiety, and Erasure in Women's Writing: Romantic becomes Victorian.” The History of British Women's Writing, 1750-1830. Volume Five. Ed. Jacquenline Labbé. London: Palgrave Macmillan, 2010. 321-40.

“Teaching Romanticism with ICT [Information and Communications Technology],” Teaching Romanticism. Ed. David Higgins and Sharon Ruston. London: Palgrave Macmillan, 2010. 120-33.

“'I am not what I am': Staged Presence in Romantic Autobiography.” Romantic Autobiography in England. Ed. Eugene Stelzig. Farnham: Ashgate, 2009. 145-60.

“‘Peter Bell the Third’: Contempt and Poetic Transfiguration.” The Unfamiliar Shelley. Ed. Alan M. Weinberg and Timothy Webb. Farnham: Ashgate, 2009. 101-18.

“Cultural Transitions, Literary Judgments, and the Romantic-Era British Novel.” Enlightening Romanticism, Romancing the Enlightenment: British Novels from 1750 to 1832. Ed. Miriam L. Wallace. Farnhamn: Ashgate, 2009. 189-205.

“The History of Shelley Editions in English.” The Reception of P. B. Shelley in Europe. Ed. Susanne Schmid and Michael Rossington. London: Continuum, 2008. 9-25.

“Regionalism and the Realities of Naming,” Regionalism and the Humanities. Ed. Timothy R. Mahoney and Wendy J. Katz. U of Nebraska P, 2008. 150-65.

“Charlotte Smith, Women Poets, and the Culture of Celebrity.” Charlotte Smith in British Romanticism. Ed. Jacqueline Labbé. London: Pickering and Chatto, 2008. 189-202, 251-53.

“Crossing the Borders of Genre in Romantics Scholarship and the Classroom.” Romantic Border Crossings, ed. Jeffrey Cass and Larry Peer. Aldershot: Ashgate, 2008. 147-57.

“Incorporating (and Enjoying) Little-Known Romantic Fiction:  A Practical Application.” Novel Prospects: Teaching Romantic-Era Fiction. Ed. Miriam Wallace and Patricia Matthew. Romantic Circles (August 2008): http://www.rc.umd.edu/pedagogies/commons/novel/behrendt.html

“General Introduction: Irish Women Poets of the Romantic Period.” Irish Women Poets of the Romantic Period, ed. Stephen C. Behrendt. Alexandria, VA: Alexander Street Press, 2008.

“Partaking of the Sacraments with Blake and O'Connor: A Reading.” Inside the Church of Flannery O'Connor: Sacrament, Sacramental, amd the Sacred in Her Fiction. Ed. Joann Halleran McMullen and Jon Parrish Peede. Mercer UP, 2007. 117-137.

“An Urn, A Teapot, and the Archeology of Romantic Reading,” The CEA Critic 67.2 (Winter 2005): 1-14.

“Irish Women Poets of the Romantic Period: A Different Sort of Other,” Women's Writing 12.2 (2005): 153-75; special issue on 19th-century women poets.

“Women without Men: Barbara Hofland and the Economics of Widowhood.” Eighteenth-Century Fiction 17.3 (April 2005): 480-508; special issue: "Fiction and the Family."

“The Visual Arts and Music,” in Romanticism:  An Oxford Guide. Ed. Nicholas Roe. Oxford:  Oxford UP, 2005. 62-76.

 

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