English 180:
Introduction to Literature

Spring Semester 2005

Stephen C. Behrendt
319 Andrews Hall
phone: 472-1806
office: 1-3 TR,    
and by appointment

sbehrendt1@unl.edu


 

             James Gillray, Humphrey's Shop

 

Tentative Schedule

Jan 11 T  Introduction: What is "literature"? Who decides?
               Why do we tell stories? What sort of stories do we tell?
               What sorts of stories do we prefer, and why?

Jan 13 R  Defining "literature": some problems in search of solutions
__________

Jan 18 T  The Week's Reading
                      Background reading for Fiction (37-40), "Plot" (47-49), "Theme" (240-45)
                      Simple stories / Simple stories?
                      Gildner, "Sleepy Time Gal" (41)
                      Atwood, "Happy Endings" (43)
                      O'Brien, "The Things They Carried" (303)
                     "Everyday life" in fiction: is it really so mundane?
                      Kinkaid, "Girl" (289)
                      Olson, "I Stand Here Ironing" (128)

Jan 20 R  Breakout Sections Today

Jan 21 F  Last day to drop this course without it appearing on your permanent record. After today a "W" will appear on your record
                                   if you drop the course.

__________

Jan 25 T  The Week's Reading
                      Background reading: "Character" (71-74), "Setting" (98-102)
                      "Growing up" in fiction; where do we readers situate ourselves?
                      Updike, "A&P" (74)
                      Ellison, "Battle Royal" (115)
                      Rios, "The Secret Lion" (316)
                      A couple of old classics:
                      Poe, "The Cask of Amontillado" (153)
                      Hawthorne, "Young Goodman Brown" (210)

Jan 27 R  Breakout Sections Today
__________

Feb  1 T  The Week's Reading
                      Background reading: "Point of View" (136-42), "Style, Tone, and Language" (175-81)
                      A couple of new(er) classics:
                      Hemingway, "A Clean, Well-Lighted Place" (187)
                      Baxter, "Gryphon" (84)
                      Tan, "Two Kinds" (321)
                      Walking around in fiction
                      Welty, "A Worn Path" (270)
                      Achebe, "Dead Man's Path" (279)

Feb  3 R  Breakout Sections Today
__________

Feb  8 T  The Week's Reading
                      Background reading: "Symbol and Allegory" (205-10)
                      Looking inside of our experiences
                      Gilman, "The Yellow Wallpaper" (102)
                      Joyce, "Araby" (181)
                      And now for something completely different:
                      Jackson, "The Lottery" (221)
                      O'Connor, "A Good Man Is Hard to Find" (191)

Feb 10 R  Breakout Sections Today
__________
Feb 15 T  short story paper due in class today
                The Week's Reading
                       Novels are long, but what else are they, and why aren't they just very long short stories?
                       Shelley, Frankenstein

Feb 17 R  Breakout Sections Today
__________

Feb 22 T  Shelley, Frankenstein

Feb 24 R  Breakout Sections Today
__________

Mar   1 T  MIDTERM EXAMINATION

Mar   3 R  Reading and thinking about Poetry.
                 How do we know what is a poem? DO we?
                 How do poems work? What do poems do?
                 The Week's Reading
                       Background reading for Poetry: (342-43, 345-47), "Form" (478-81)
                       Moore, "Poetry" (339) Giovanni, "Poetry" (340); MacLeish, "Ars Poetica" (341);
                       Shakespeare, "That time of year thou mayst in me behold" (343);
                       Zukofsky, "I walk in the old street" (344); cummings, "l(a" (344)

Mar   4 F  Last day to change your registration to or from "Pass / Np Pass" status
__________

Mar   8 T  The Week's Reading
                 Figurative language:
                        Background reading: 431-32, 442
                        Shakespeare, "My mistress' eyes are nothing like the sun" (357), "Shall I compare
                        thee to a summer's day?" (431); Lorde, "Rooming houses are old women" (434);
                        Piercy, "The Secretary Chant" (438); Donne, "A Valediction: Forbidding
                        Mourning" (439); Frost, "Mending Wall" (551); Hughes, "The Negro Speaks
                       of Rivers," (558),  "Park Bench" (559)
                 Images: the "stuff" of poetry
                       Background reading: 422-23
                       Williams, "Red Wheelbarrow" (423); Pound, "In a Station of the Metro" (424);
                       Chitwood, "Division" (427); Bishop, "The Fish" (531); Wordsworth, "I wandered
                       lonely as a cloud" (587); Keats, "When I Have Fears" (565);
                       Heaney, "Mid-Term Break" (557)

Mar 10 R  Breakout Sections Today
__________

13 - 20 Spring Break – no classes
__________

Mar 22 T  The Week's Reading
                  Language in poetry
                  Background reading: 455-60, 464, 466
                         Rich, "Living in Sin" (402), "Aunt Jennifer's Tigers" (463); cummings,
                         "in Just-" (403), "Buffalo Bill's" (539), "anyone lived in a pretty how town" (415);
                         "next to god of course america i" (540);Carroll, "Jabberwocky" (474);
                         Nash, "The Lama" (467); Brooks, "We Real Cool" (536) Auden, "The Unknown
                         Citizen" (389); Burns, "Oh, my love is like a red, red rose" (436)
                  Some poems about art and life
                         Coleridge, "Kubla Khan" (537); Keats, "Ode on a Grecian Urn (563); Sexton,
                         "Cinderella" (391) Auden, "Musée des Beaux Arts" (523), Brooks, "Sadie and
                          Maud" (456); Djanikian, "Immigrant Picnic" (542)

Mar 24 R  Breakout Sections Today
__________

Mar 29 T  The Week's Reading
                 Some poems on the theme(s) of war and nation:
                        Brooke, "The Soldier" (359); Owen, "Dulce et Decorum Est" (428); Levertov,
                        "What Were They Like?" (362),  Szymborska, "The End and the Beginning" (362),
                        Tennyson, "Ulysses" (581), Hardy, "The Man He Killed" (376)
                 Some longer poems to work with:
                        Lowell, "Patterns" (378); Shelley, "Ode to the West Wind" (574), Browning,
                        "My Last Duchess" (370)

Mar 31 R  Breakout Sections Today
                 poetry paper due in class today
__________

Apr   5 T  The Week's Reading
                 And other long poems
                 Background reading: "Symbol" (506-8), "Allegory" (511). "Allusion" (515-16),
                 "Myth" (519-21)
                        Yeats, "The Second Coming" (591); Eliot, "The Love Song of J. Alfred
                        Prufrock" (546); Mirikitani, "Suicide Note" (373)

Apr   7 R  Breakout Sections Today

Apr   8 F  Last day to withdraw from this course and still have a "W" appear on your permanent record instead of a conventional letter grade.
__________

Apr 12 T  Reading and thinking about Drama
                What is drama? Is drama the same as theatre?
                What does drama do? How does it work
                The Week's Reading
                Background reading for Drama: (595-610)
                       Martin, Beauty (617)
                       Strindberg, The Stronger (612)
                       Glaspell, Trifles (627)

Apr 14 R  Breakout Sections Today
__________

Apr 19 T  The Week's Reading
                       Miller, Death of a Salesman (829)

Apr 21 R  Breakout Sections Today
__________

Apr 25 T  Dead Week / Concluding matters

Apr 27 R  Concluding matters
__________

Final Examination:  10:00 - noon, Thursday, 5 May