English 311G

Revolution and Romanticism

Spring 2009

Stephen C. Behrendt
319 Andrews: 472-1806
office: 11-12 TR
and by appointment

Email Dr. Behrendt here



                                                          The Paris Commune    (1792)

Tentative Schedule of Readings and Assignments

Jan 13 T
—Getting the act together:  Introduction to the course, the period, the conceptsand the cultures  

Jan 15 R
—“Beautiful Idealisms” and “Sad Realities”:  terminlogy, theory and methodology
— Jefferson and the New Era in North America:  The Declaration of Independence
______

Jan 20 T
—A New Era in the Old World:  Declaration of the Rights of Man and of the Citizen

Jan 22 R
— . . . and in Britain:  Resolutions of the London Corresponding Society
______

Jan 27 T
— The Romantic Individual [case 1]:  Goethe, The Sorrows of Young Werther

Jan 29 R
—Goethe's novel and its consequences
______

Feb  6 T
— Varieties of rebellion:  Schiller, The Robbers

Feb  8 R
— Romantic relatives of the Moors
______

Feb 10 T
— Further varieties of rebellion and consciousness-raising:  Wordsworth and Coleridge
— Wordsworth, An Evening Walk
— Wordsworth and Coleridge:  Lyrical Ballads

Feb 12 R
— Lyrical Ballads, continued
______

Feb 17 T
Lyrical Ballads and the contemporary socio-political context

Feb 19 R
— A woman's voice:  Mary Robinson, Lyrical Tales
______

Feb 24 T
—The Industrial Revolution and its consequences

Feb 26 R
— Science, technology, and the origins of "Green" Romanticism
______

Mar  3 T
— The French Revolution in History and the Arts:  the French Revolution as historical event
— The French Revolution as mythical event

Mar  5 R
— The French Revolution as art and in the arts
— Blake's “The Tyger” and other people's tigers
______

Mar 10 T
— Revolutionary art:  Blake, America: A Prophecy

Mar 12 R
______

March 16 -20 — Spring Recess
______

Mar 24 T
— Blake, Europe:  A Prophecy

Mar 26 R
______

Mar 31 T
— The Romantic Individual [case 2]:Mary Shelley, Frankenstein; or, The Modern Prometheus

Apr   1 R
______

Apr  7 T
— The later years of Napoleon's career; the post-Napoleonic years in Europe

Apr  9 R
— A second-generation English Romantic poet goes political:  Percy Bysshe Shelley, poltical poems
______

Apr 14 T
— History as myth, history as political parable:  Shelley, The Cenci

Apr 16 R
______

Apr 21 T
— How one eminent Victorian represented the French Revolution:  an example of how historical and cultural period represent and interpret other times:  Dickens, A Tale of Two Cities

Apr 23 R
______

Apr 28 T
— Does any of this teach us anything? Conclusions , penultimate assessments

Apr 30 R
Le grande finale
______

FINAL EXAMINATION:  10:00 — 12:00 (n); Tuesday 5 May

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